Your Wires Are Showing

“The future is already here — It’s just not evenly distributed.” – William Gibson

It was so much easier to write cyberpunk fiction in the days before laptops, iphones, and bluetooth. Or maybe easy isn’t quite the right word, since the authors of the 80’s & 90’s were making up the technology as they went, imagining it freshly in their minds as they forged the motherboard of a genre that was just as much about style as it was substance.

High Tech Low Life

It was glorious. I cannot say enough about how shaped I have been by the works of William Gibson, specifically Neuromancer, the Shadowrun and Netrunner pen & paper role playing games, the anime Ghost in the Shell, and of course our man Philip K. Dick with stories and resulting film adaptations like Minority Report and Blade Runner. I love the movie Johnny Mnemonic, and no gushing about cybepunk from decades past would be complete without mention of The Matrix.

To write cyberpunk now, in the year 2017, is a different endeavor. So much of the technological advancements that get imagined in the above works are now commonplace. The sorts of “oh wow” moments that used to hit hard in cyberpunk works just don’t hit quite the way they used to, at least for most of us. I know there are still some basic cable shows that try to present hacking as people typing Really Fast and Looking Stressed at cascading lines of gibberish while they say “someone is hacking our network”, and while that isn’t remotely what real hacking looks like (and no amount of fast edits and soundtrack could make it exciting to watch), those shows and their presentation illustrate the line we creators have to walk between real life and dynamic fiction.

For “Beautiful Resistance” we did our best to imagine a near future that moved along a similar path of technological advancement as we are now. We created our fictional “CodeSource” to be the more conventional ‘system’ that is what we basic users experience today, even if amped up for dramatic purposes, so that it would ring true to a contemporary audience. We created our fictional “MassNet” as our ‘full immersion’ system, the computer dream world of our story, which functions much like the simulations in The Matrix films, or the Neuromancer and Snowcrash novels. Throughout the story we work to present an engaging story with near-future technology that feels legitimate given where we are, as a contemporary society, today. We knew that we had to give you just enough tech-speak to make sense of everything happening, but we did not go so deep into it that A) readers poke holes in our science and B) the story doesn’t get slowed down. Though the hacker parts of the story were the most difficult, there was also the ‘combat operative’ element, where we had to present cyborg warriors who had upgrades and implants that felt realistic enough for a near future setting, but were still exciting to read about.

We also had to look at implications of near future technologies, and what they might do to the political, environmental, and economic landscape. For this we imagined a post-WWIII world, where the great superpowers finally went for blood, and our story picks up some years later. In our imagined near future corporations have taken the place of most world superpower governments (that’s a theme with me I know) and the inequality of the world has become more dramatically pronounced. In our story the mega-cities of the first world country are the neon spectacles one might see in films like Blade Runner and Ghost in the Shell, while much of the rest of the world has experienced very little growth compared to where they are in our contemporary real world. Much of the setting, in fact the story itself, is based on the above William Gibson quote. While we don’t get preachy at all (we’re writers, not politicians, economists, or activists) we do address some of the unavoidable elements of setting a story about high powered agents pursuing first world agendas in the boardrooms and back alleys of what we call in our story ‘low grade regions’. In this way we were invited to present a rather poignant illustration of High Tech Low Life in a way that may conjure up images of Neil Blomkamp’s work from films such as Chappie, Elysium, and District 9.

As for the street shaman and the jungle island vampires, well, that’s another post all together.

This has been a project that I have wanted to create for some time, and am happy to finally be able to present it. Our goals are to give you a reading experience that feels less like science fantasy and more like science future, while still delivering on the style & substance promised by dubbing it a work of cyberpunk.

Naturally it is for you to decide if we accomplished any of this, and we are excited to get your feedback!

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Marine Cadets Wanted

necrospaceRedux   DeadWorldsCover   TradeWarCover2

REAPER– Resource Exploration And Procurement Engineer Regiment

Welcome Citizen, to a new life of adventure, including meal plan and hazard pay! Because Grotto Corporation is heavily invested in exploration and military ventures there is always a place for stalwart citizens, twenty-five standard years or younger, willing to risk life and limb for incredible wages and a sense of accomplishment.

As a REAPER, your primary function will be to serve as foot soldiers and salvage specialists for militarized expeditions into regions of both mapped and unmapped space in search of raw materials ready to be exploited.

To claim or re-claim machinery, equipment, and building materials from former battlefields, space hulks, and otherwise abandoned facilities.

Base wages for training and transit time are nearly twice that of the average workforce assignment, and all recovery and combat duties come with additional hazard bonuses.

See your local recruiter for details.

Sign up today!

Gold and Glory

“There is time enough for civilization when we are at war” — Wargir proverb

I love space marines.

Whether they are the genetically engineered super-soldiers of the Warhammer 40k universe, the Terran marines of the Starcraft games, the seminal warriors of Heinlein’s Starship Troopers, or the hundreds of other incarnations of these future soldiers throughout sci-fi fiction, films, comics, and video games… I think they are awesome, and I have been meaning to contribute to this genre myself for a long time.

And so I give you the first installment of the Necrospace series … SALVAGE MARINES

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The synopsis:

It is the Age of The Corporation. The common man toils under the watchful eye of the elite and their enforcers. The rules of law have long been replaced by the politics of profit. The dark ages of feudalism have returned with capitalistic ferocity. There is no peace among the stars of mapped space and business is booming. Samuel Hyst is an indentured worker who seeks to better his fortunes by joining the ranks of a militarized deep space salvage operation as a hired soldier. The young man’s hope is to earn enough hazard wages to pay off his debts and expatriate his growing family away from the totalitarian industrial society ruled by Grotto Corporation. To reach his goals he must survive a grueling tour of duty in Necrospace, a name given to the abandoned scrapyard quadrants of a war-torn universe.

This is a novel that I have had simmering in the back of my mind for several years, and it finally clawed its way to the top of my list of writing priorities during the 2014 National Novel Writing Month. I worked with my favorite editor Terry Bland and we got this thing polished and ready for press as of last week. I’ve decided to set this book up for an Amazon Pre-Order, with the title being available on March 1st. If you pre-order then the ebook will be loaded to your Kindle/Cloud on March 1st. It will be DRM free so even if you don’t have a kindle device you can read it on your computer, and the print edition will be available on that same day.

Why a pre-order?

You aren’t a famous author OR even in brick & mortar bookstores, so why bother?

My answer is Reader Awareness.

I’ve been writing and publishing for some time now, and before that I was making movies and distributing them. One key element that I’ve never fully managed was a ‘proper release’ of any book or film. By the time a book gets finished I’m already moving on to the next project, and I haven’t given enough time and effort to promoting the book. Usually that shows in the sales numbers, and at the end of the day the sales numbers are just as important as the story… because if people are buying the book (or borrowing through Kindle Unlimited) then that means the Story Is Being Told. That’s right, I’ve realized that being an author, or more specifically being a storyteller, is just as much about the ‘gold’ you get from sales as it is the ‘glory’ you get from telling a good story.

The purpose of a story is to be told (in this case read) and the more people who read this story the more that purpose is realized, and as a storyteller that feeds my soul. What puts food in my belly (and my family’s) is that the people who read this story paid to read it. I know it sounds hilarious to even say it, but honestly it has taken me this long to see that increasing Reader Awareness in what drives sales, which feeds my soul and my belly. By giving myself a few weeks to promote the book before it is released gives me a chance to make sales, which boosts sales rank, which raises visibility on the Holy Grail of publishing (Amazon Top 100 in genre). As such here I am, working on a blog that I hope gives a bit more insight into the novel, to entice you to pre-order and experience the story in depth.

It feels Good to tell people about this story, because I think this one is worth sharing, especially in these troubled times. We live in a world not dissimilar to that of Samuel Hyst and his comrades, and we can see our own struggles reflected on the page (or kindle screen), even if in a more dramatic science fiction action kind of way. I see myself in this story, at various moments, behind the eyes of several of the characters, as I see other people I’ve known in my life. I imagine that you will too.

Space marine stories are generally rather grim, and this tale is no different, though it does have a unique element that sets it apart from most space marine genre fiction. Samuel Hyst has a choice. He is not defending earth from alien invaders, nor is he fighting the forces of some galactic evil. Samuel’s situation hits us closer to home because he is a debt-slave, and only marginally more dramatically than what we see reflected in our own modern world. Our protagonist chooses the life of a mercenary, a salaried corporate soldier to be exact. At any point in his troubled journey he can ‘opt out’ and return to his civilian life, unlike the average space marine protagonist in the greater genre. Samuel Hyst explicitly fights for money, that is his ‘gold’. He tells himself that he will use the money to escape the corporate world and find a new life, that is his ‘glory’. We must struggle alongside him to reconcile his dubious occupation with his humanity, his goals more elusive than he ever imagined, knowing that we don’t get the ‘easy out’ of saying that we are ‘defending earth’ or ‘fighting evil’. In many ways, the excerpt below illustrates the struggles, of both mind and body, that Samuel must endure as the story unfolds.

“The wargir waved an invitation to Samuel and the marine trudged up the dune hill to join the mercenary in surveying the battlefield. The fighting was all but finished, and for the first time that day Samuel began to feel confident about the mission.

“Well, uh,” Samuel wracked his brain for the other man’s name. Imago. “Imago. Looks like we won,” said Samuel off handedly as he sat down next to the mercenary, “Good day for Grotto and bad day for Helion. Can’t say it feels all that victorious though, a lot of bodies out there that belong to us.”

“Hyst Samgir,” the mercenary said, “you must understand that when war is stripped of ideology, all that remains is the simple reality that it is nothing more, and nothing less, than the violent redistribution of wealth.” He cocked his head at Samuel as they sat perched upon the burned out hull of a Helion battle tank. “Anyone who says differently is just trying to lower your pay rate.”

As a defense logistics contractor and a self-published author, in many ways I feel as if I’m right there alongside our protagonist while I work to balance the Businessman and the Storyteller during my own quest for Gold and Glory.