Cyberpunk Noir

I am presently in the far depths of co-authoring a noir cyberpunk trilogy, very much in the vein of Shadowrun, and found myself rather enjoying writing pieces of a sword fight scene between two augmented operatives, though one is significantly less human than the other. This is an unedited section of that scene, which I particularly enjoyed creating.
 
“The samurai swung in a wide arc that would have sliced into her side had she missed the parry, and Laine realized that while the man had been augmented for strength and resiliency, perhaps even had parts of his brain adjusted for loyalty, there was little he could do against her so long as he thought too hard about it. Any fool could swing a sword, and anyone could become a master of the blade with enough training or upgrades, yet it was only with no-mind that one could hope to win with consistency. The woman allowed her augmentations to feed her data and silenced her conscious mind, allowing her ego and her assumptions about the outcome to dissolve into the datastream from her augments. The cyberware rode Laine into battle, her ego given over to the machine’s lighting fast calculations.
 
Perhaps had the Samurai too achieved a similar state, free of his conscious mind, perhaps he could have beaten her. To act without thinking, to be as pure as the kata, was the only way to even have a hope in beating the machine. Laine sidestepped another swipe of the samurai’s blade and drove her own into his throat, through the windpipe and the spine in one stroke. The samurai’s body sounded hollow as it hit the ground, sword clanking against the pavement, all of it recorded by Laine’s auditory enhancements. They always sounded hollow to her ears, the bodies as they died, no matter how augmented or not they might be, and often she would listen to their final moments over and over, as if hoping to divine the exact moment life left limb and spark died in the wire.”

Rootless

What a journey its been. I haven’t been on my blog in awhile, so there are a goodly number of updates to be had. 

I have been in Buffalo for 2 months working as a director, producer, writer, and actor on the film “Binary Samurai” with Aaron Kondziela, Alex McBryde, and Katy Saul. A post-apocalypse cyberpunk film about wasteland warriors, hackers, and a ghost in the machine. It was hot, muggy, and pretty darn uncomfortable in my character’s huge fur coat, but we survived. There should be  a trailer and promo photos up soon. 

After wrapping, in fact the day after wrapping, we got on the road and went to Toronto for the Festival of Fear. It was a brutal show, with no money, very little sleep, and a ton of pressure to make sales. We only pulled in about $1,200, which in the grand scheme of things isn’t a bad haul, but as we’d dropped nearly $3,000 on the show, it was tough at the time. We smuggled about 500 units back across the border, and left the rest with the always amazing Melantha Blackthorne, who is keeping the rest at her place and using them as inventory for sales generated by her own website. The unit recovery made the show much less of a blow to our finances, as we’ve still got the units (paid $1,500 for them) and the show only cost $1,500, so with our sales of $1,200 we didn’t lose too much. Plus it was lots of exposure, and sales are trickling in from all the cards and promotion we did. 

After Toronto we had one last night in Buffalo, then I was on a plane to Atlanta. While there I was able to reconnect with an old friend I hadn’t seen since college, and though I had some business planned that all fell through, so it became an unexpected and amazing week of forced vacation in a kickass city with the best of company. Not long after I hit the road again to St. Louis. 

St. Louis was a blast. We had another show, the StrowlerFest, put on by the musician SJ Tucker, which was 3 days of pagan music and being surrounded by interesting people. I had a vendor table for Dark Roast Releasing, though only ended up selling maybe 10 copies of Fable. Kay Wiley and SJ Tucker are really helping me work to establish the whole ‘mythpunk’ film genre, using their music and some other authors to help get this going. The show was cheap, so we didn’t lose much, but again, the exposure and connections more than made up for it. I was able to meet and cast Bekah Kelso for the role of Hecate of the Crossroads for my upcoming movie Ember Days (also a mythpunk movie), so its a win. 

Now I’m in Seattle in prep on Ember Days and can’t wait to see what’s next.

What is Mythpunk?

Mythpunk refers to “a subgenre of mythic fiction” in which classical folklore and faerie tales get hyperpoetic postmodern makeovers. Coined by author Catherynne M. Valente, the term describes a brand of speculative fiction which starts in folklore and myth and adds elements of postmodern fantastic techniques: urban fantasy, confessional poetry, non-linear storytelling, linguistic calisthenics, worldbuilding, and academic fantasy.

http://tvtropes.org/pmwiki/pmwiki.php/Main/Mythpunk