Once Upon a Time…

… a group of fellow travelers, with much aide from their good neighbors, set about creating a film …

Ember Days” is a fantasy/action, community-powered art project, shot in Washington in the fall of 2010 as the brain-child of writer/director Sean-Michael Argo. The project is the result of an awesome effort from the pagan and arts community in the Pacific Northwest, Arkansas, and Texas too. Made for less than $35K, Ember Days is a true micro-budget film, daring to tell a story much bigger than its budget.

… and now …

Our story is told with limitless imagination, ripped free of all budgetary and worldly constraints. Go deeper into the world of warring gods, angels and the faerie with the novelization, exclusively on Amazon!

Ember-Days-Cover-Only-1-300 Make Your Choice.

 

Rootless

What a journey its been. I haven’t been on my blog in awhile, so there are a goodly number of updates to be had. 

I have been in Buffalo for 2 months working as a director, producer, writer, and actor on the film “Binary Samurai” with Aaron Kondziela, Alex McBryde, and Katy Saul. A post-apocalypse cyberpunk film about wasteland warriors, hackers, and a ghost in the machine. It was hot, muggy, and pretty darn uncomfortable in my character’s huge fur coat, but we survived. There should be  a trailer and promo photos up soon. 

After wrapping, in fact the day after wrapping, we got on the road and went to Toronto for the Festival of Fear. It was a brutal show, with no money, very little sleep, and a ton of pressure to make sales. We only pulled in about $1,200, which in the grand scheme of things isn’t a bad haul, but as we’d dropped nearly $3,000 on the show, it was tough at the time. We smuggled about 500 units back across the border, and left the rest with the always amazing Melantha Blackthorne, who is keeping the rest at her place and using them as inventory for sales generated by her own website. The unit recovery made the show much less of a blow to our finances, as we’ve still got the units (paid $1,500 for them) and the show only cost $1,500, so with our sales of $1,200 we didn’t lose too much. Plus it was lots of exposure, and sales are trickling in from all the cards and promotion we did. 

After Toronto we had one last night in Buffalo, then I was on a plane to Atlanta. While there I was able to reconnect with an old friend I hadn’t seen since college, and though I had some business planned that all fell through, so it became an unexpected and amazing week of forced vacation in a kickass city with the best of company. Not long after I hit the road again to St. Louis. 

St. Louis was a blast. We had another show, the StrowlerFest, put on by the musician SJ Tucker, which was 3 days of pagan music and being surrounded by interesting people. I had a vendor table for Dark Roast Releasing, though only ended up selling maybe 10 copies of Fable. Kay Wiley and SJ Tucker are really helping me work to establish the whole ‘mythpunk’ film genre, using their music and some other authors to help get this going. The show was cheap, so we didn’t lose much, but again, the exposure and connections more than made up for it. I was able to meet and cast Bekah Kelso for the role of Hecate of the Crossroads for my upcoming movie Ember Days (also a mythpunk movie), so its a win. 

Now I’m in Seattle in prep on Ember Days and can’t wait to see what’s next.

What is Mythpunk?

Mythpunk refers to “a subgenre of mythic fiction” in which classical folklore and faerie tales get hyperpoetic postmodern makeovers. Coined by author Catherynne M. Valente, the term describes a brand of speculative fiction which starts in folklore and myth and adds elements of postmodern fantastic techniques: urban fantasy, confessional poetry, non-linear storytelling, linguistic calisthenics, worldbuilding, and academic fantasy.

http://tvtropes.org/pmwiki/pmwiki.php/Main/Mythpunk